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Batman: The Killing Joke, awalnya adalah sebuah novel bergambar best-seller terbaik sepanjang masa, merupakan sebuah cerita tentang The Joker. Film ini akan diangkat oleh Warner Bros. Animation dan DC Entertainment. Merupakan film yang berasal dari sebuah kekerasan dalam novel dengan konten kontroversial, dan film ini menjadi yang pertama kalinya memiliki rating "R" yang dirilis oleh DC Universe, dan tidak ada niat sama sekali untuk mengeluarkan film ini dalam rating "PG-13".
Sedikit gambaran tentang novel bergambar tersebut mengisahkan kehidupan Joker atas permulaannya sebagai seorang pelawak rendahan yang tak punya karir, hingga rasa bencinya kepada Batman yang akan mengubah hidup mereka berdua untuk selamanya. Film ini dibintangi oleh Kevin Conroy dan Mark Hamill.
Sinopsis Film Batman: The Killing Joke
Sementara Batman terus memburu Joker yang telah melarikan diri, pangeran badut kriminal itu justru menyerang keluarga Gordon untuk membuktikan titik kegilaannya yang mencerminkan kejatuhannya sendiri.
Novel ditulis oleh Alan Moore, Batman: The Killing Joke dipublikasikan tahun 1988 dan dianggap sebagai komik terbaik. Film animasi ini diharapkan hadir dalam bentuk keping dan layanan digital.
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The Mobfathers (2016) adalah Film Hong Kong yang disutradarai oleh Herman Yau, merupakan jenis film action kriminal yang akan rilis pada tanggal 14 April 2016. Cast atau Pemain Utama dalam film ini adalah: Chapman To, Gregory Wong, Philip Keung, Anthony Wong, Bonnie Xian, dan Carlos Chan.
Sinopsis Film Cantonese The Mobfathers (2016)
Setelah menghabiskan waktu selama 5 tahun di penjara, Chuck pemimpin Metal Gang akhirnya dibebaskan, tapi dia segera tertangkap lagi karena kasus pembunuhan, walau dia nyaris lolos. Chuck menyadari bahwa upaya pembunuhan mendadak tersebut berkaitan dengan pemilihan Dragon Head yang dilakukan tiga tahun sekali, di mana lima geng terkemuka dunia bawah tanah masing-masing akan memilih seorang wakil untuk dipilih menjadi Mobfather berikutnya.
Masing-masing kandidat punya kekuatan dan juga kelemahan, terdapat kurangnya kepercayaan di antara geng, masing-masing berjuang hanya untuk kepentingan pribadi gengnya sendiri.
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Rilis:
20 Mei 2016
Negara:
Amerika Serikat
Bahasa:
Inggris
Direktur:
Brian DeCubellis
Produser:
Brian DeCubellis, Steven Klinsky, Adrien Brody
Sinematografi:
Michael McDonough
Pemeran:
Adrien Brody, Campbell Scott, Yvonne Strahovski, Linda Lavin, Jennifer Beals.
Seorang jurnalis kriminal bernama Porter Wren yang tulisannya banyak dibaca oleh masyarakat. Porter sendiri memiliki istri bernama Lisa Wren, kehidupannya bersama Lisa cukup harmonis dengan karirnya yang berada di puncak kesuksesan. Suatu hari Porter bertemu dengan Caroline Crowley yang merupakan wanita cantik yang ditemuinya di sebuah pesta seorang penerbit. Di sana mereka berkenalan yang kemudian mengajak Porter untuk hadir di apartemen miliknya. Porter pun kemudian datang ke apartemen Caroline yang bermaksud untuk meminta agar Porter mau menyelidiki kematian suaminya. Namun saat menjalani penyelidikan, rupanya Porter semakin dekat dengan Caroline yang menyebabkan mereka berselingkuh. Apa yang dilakukan Porter bisa membahayakan kehidupan keluarganya. Namun meskipun begitu dirinya tidak bisa pergi dikarenakan dirinya sudah terlalu jatuh pada kasus kematian suami Caroline bernama Simon Crowley.
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As long as there are successful Hollywood franchises, there will be rip-offs. This is true in America, where companies like the Asylum have built an entire business model around making movies that look just similar enough to major blockbusters to confuse grandparents and stoners. However, it’s especially true on the international stage, where scrappy filmmakers all over the world have been abusing copyright for decades now. I highly recommend Remake, Remix, Rip-Off, a wonderful documentary about the anarchic world of Turkish cinema in the ’60s and ’70s if you want so see examples of some truly, beautifully shameless filmmaking.
But today, we’re turning our eyes to China, who have produced a Kung Fu Panda rip-off that looks like it clawed its way out of the deepest recesses of your nightmares. And because the universe is cruel (or because parents will confuse it with the other movie about the martial artist panda bear and will pick it up without knowing better), it’s getting an American release courtesy of Lionsgate.
Known as The Adventures of Jinbao in its native country, The Adventures of Panda Warrior will be released straight to DVD, digital download, and VOD later this summer. And oh boy, does it look…not good. Audiences accustomed to animated movies with things like textures and facial expressions and more than two recycled backgrounds will certainly find this inexcusable. And that’s before you get to the unsettling character designs, the dead-eyed lead character, the plot that is a brazen carbon copy of a certain DreamWorks Animation franchise, and the mere presence of Rob Schneider as the lead character. Schneider is backed up by a who’s who of people hoping to add extensions to their homes, including Haylie Duff, Norm MacDonald, Lauren Elizabeth, and Tom Kenny.
Watch this The Adventures of Panda Warrior trailer below. There is a moment where a pig propels himself into the sky with his own flatulence. It will be carved into your brain with a psychic knife. You won’t forget about it.
Here is the official synopsis for the film, which clarifies that this film takes place in “Merryland,” not “Maryland,” which is actually fairly confusing in the trailer:
When Patrick (Rob Schneider), a peaceful soldier from ancient China, is magically transported to Merryland and turned into a Panda, he must join forces with Peggy the flying pig (Lauren Elizabeth), GoGo the daring goat (Haylie Duff), and King Leo the courageous lion (Norm MacDonald) in order to free the once-peaceful world from the tyranny of the evil nine-headed snake that has enslaved them.
The Adventures of Panda Warrior will arrive on August 2. The portal opens. The chants begin.
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The Adventures of Ichabod and Mr. Toad merupakan sebuah film Amerika Serikat yang dirilis pada tahun 1949. Film yang disutradarai oleh Jack Kinney, Clyde Geronimi dan James Algar ini pemainnya antara lain ialah Eric Blore, John McLeish, Claud Allister, Leslie Denison dan masih banyak lagi.
Film ini dirilis pada tanggal 5 Oktober 1949
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Pasti diantara kalian sewaktu kecil pernah melihat film yang berjudul Bambi ? film kartun yang masuk menjadi 3 nominasi Oscar ini bisa dibilang film kartun tertua, karena film yang bercerita tentang anak rusa ini pertama kali muncul tahun 1942.
Bambi, atau yang sering disebut pangeran Bambi adalah seekor anak Rusa yang baru lahir, yang sangat disayang oleh induk betinanya dan penghuni hutan lainnya. Seiring dengan pertumbuhannya, Bambi banyak belajar tentang lingkungannya, teman-temannya dan cara mempertahankan hidupnya.
Suatu waktu, Manusia mulai merambah hutan dan menembak mati induk betinya Bambi. Tidak ada pilihan lain bagi Bambi untuk tumbuh menjadi sekuat dan seberani induk jantanya, untuk memberikan ketentraman dihutan mereka.
Dibandingan dengan film-film animasi yang rilis belakangan ini, film yang disutradarai oleh James Algar ini memang kalah secara kualitas gambar. Dari segi ceritapun Bambi bisa dikatakan biasa-biasa saja. Tapi ini adalah salah satu film klasik terbaik Disney. Penuh dengan sentuhan psikologi dan nilai-nilai moral. Film ini masih sangat layak untuk anda tonton, entah untuk mengenang masa kecil, untuk mengajar anak, atau bagi yang hidup di era sekarang dan belum pernah menontonya. Bagi yang memiliki perasaan yang halus, jangan lupa siapkan tisu.
Detail :
Director : James Algar, Samuel Armstrong
Producer : Walt Disney
Writer : Felix Salten, Perce Pearce, Larry Morey
Studio Production : Walt Disney Productions
Country : USA
Runtime : 70 min
Cast :
Hardie Albright as Bambi
Stan Alexander as Young Flower
Peter Behn as Young Thumper
Thelma Boardman as Mrs.quail
Tim Davis as Adult Thumper
Donnie Dunagan as Young Bambi
Otis Harlan as Mr.Mole
Eddie Holden as Chipmunk
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The film's opening line is the question that the portly, millionaire tycoon father Alexander Andrews (Walter Connolly) asks about his angry daughter's behavior and refusal to eat:
Hunger strike, eh? How long has this been going on?
On his yacht moored in the sunny waters off Florida with him is his spoiled, stubborn, devil-may-care headstrong heiress daughter Ellie Andrews (Claudette Colbert). In an impulsive moment and possibly to spite her father, she has just married (in name only) a worthless playboy, King Westley (Jameson Thomas), a fortune-hunting, ne'er-do-well celebrity aviator. Objecting to the wedding, although Westley is in her own upper social class, Mr. Andrews has kidnapped his daughter and brought her aboard his yacht, holding her as a prisoner against her will. He plans to annul the unconsummated marriage to the mercenary, worthless, stuffed-shirt playboy he despises.
Ellie is first seen backed up against a stateroom wall by her father - both are engaged in a vicious argument. In a temper tantrum, Ellie defiantly shouts at her father for controlling her life ("I'm over twenty-one and so is he") and not letting her assert her freedom:
Ellie You've been telling me what not to do ever since I can remember.
Mr. Andrews: That's because you've always been a stubborn idiot.
Ellie: I come from a long line of stubborn idiots.
She knocks away her father's fork (with a piece of steak on it), overturns his tray of food all over the floor, and he reacts by slapping her - she is surprised. Fully clothed, she rushes up on deck, up onto the railing and effortlessly dives overboard, and then swims ashore to freedom and independence - as if it were that simple to 'jump ship'. Her father helplessly watches as she swims away, and calls for his staff to "lower the boats." Detectives are dispatched to find her - "Watch all roads, airports and railway stations in Miami."
The next scene is introduced by a sign reading: Night Bus to New York. In the Miami bus station, detectives can't believe she would take a lower-class night bus. "We're wasting our time. Can you imagine Ellie Andrews riding on a bus?" To evade her father's search by traveling incognito, she has another elderly lady buy a ticket for her on a Greyhound bus - a rickety, proletarian means of transportation which would be unlikely for a rich heiress. She is determined to escape detection and join her husband (to spite her father) after a night bus ride from Miami, Florida to New York.
The other major character in the film is tall, outspoken newspaper reporter Peter Warne (Clark Gable), who is first seen surrounded by a mob of onlookers listening to "history in the making" as he is arguing with his fatherly editor-boss Joe Gordon (Charles C. Wilson) in a telephone booth in another part of the bus station. He has recently been fired for drinking on the job - and turning in a story in "free verse." He drunkenly tells off his boss on the other end of the line:
In a pig's eye, you will!...Hey listen monkey face, when you fired me, you fired the best newshound your filthy scandal sheet ever had...That was free verse, you gashouse palooka!
The crowd outside the phone booth has overheard his side of the conversation and believes he has won the argument, but he has been play-acting - his boss is no longer on the line. With a headstrong display of an assertive will and dramatic theatricality, he shouts into the receiver and declares his independence from the newspaper (as Ellie did against familial control) long after he has been fired and disconnected: "Oh, so you're changing your tune, eh? You're a little late with your apologies. I wouldn't go back to work for you if you begged me on your hands and knees. And I hope this will be a lesson to you!" [Onlookers refer to Peter Warne as "the King" -- Gable's nickname in real life.]
Peter, like another 'father-less' passenger, has also purchased a ticket for the crowded night bus ride to New York, traveling on the bus because he is down-and-out and broke, and that is the only fare he can afford. These circumstances will soon bring the two main characters together and contrast their status in the social hierarchy. The only bus seat left is in the back of the bus, and it is covered with a bundle of newspapers - Warne hurls through the window to the platform. After the bus driver (Ward Bond) objects to his brash action, he replies:
I never did like the idea of sitting on newspaper. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.
While he is engaged in an altercation with the driver, Ellie quickly takes the seat that he has cleared off. In their first encounter together, he orders her out of his seat: "Now listen, I put up a stiff fight for that seat. So if it's just the same to you - scram." But since it is the last seat on the bus, and the seats are "first come, first serve," they must share it. The front of the bus fills the screen, with its several state licenses, lit headlights, and its destination over the front window: NEW YORK. As the bus lurches forward while she is obstinately putting her own bag up in the rack, she is thrown into his lap. He tells her: "Next time you drop in, bring your folks."
At a night-time rest stop, where 5 cent cones and hot dogs and hamburgers for 10 cents are advertised, Ellie listlessly leans up against the side of the bus, smoking a cigarette. Her small briefcase is stolen with all her money in it (except four dollars). Peter acts gentlemanly, but is unable to catch and apprehend the thief for her. To his surprise, she refuses to have it reported, so that she won't be found out: "I don't want it reported!...Can you understand English? Would you please keep out of my affairs. I want to be left alone." He recognizes that she is a spoiled brat: "Why, you ungrateful brat!"
At the next stop, a thirty-minute breakfast stop in Jacksonville, Ellie has finally fallen asleep next to the newspaperman. She wakes up clutching his lapel, with her head nestled on his shoulder. She asks the driver to wait for her, expecting the bus to wait while she has a leisurely breakfast. The bus takes off without her when she returns twenty minutes late. Peter deliberately misses the bus too, reacquainting himself:
Remember me? I'm the fellow you slept on last night.
The next bus leaves twelve hours later, but she reminds him of her independence: "You needn't concern yourself about me. I can take care of myself."
Then he reveals to her that he knows her true identity: "You'll never get away with it, Miss Andrews." During the stop, he had discovered who she is - a runaway heiress - through a front-page headline in the Florida Journal newspaper - ELLEN ANDREWS ESCAPES FATHER. Acting in character, knowing that money can get her anything she wants, Ellie bribes him into not informing her father about her whereabouts - while touching his chest: "Listen, if you promise not to do it, I'll pay you. I'll pay you as much as he will. You won't gain anything by giving me away, as long I'm willing to make it worth your while. I've got to get to New York without being stopped. It's terribly important to me." Again, Peter berates her as a spoiled brat:
You know, I had you pegged right from the jump. Just a spoiled brat of a rich father. The only way you get anything is to buy it, isn't it? You're in a jam and all you can think of is your money. It never failed, did it? Ever hear of the word humility? No, you wouldn't. I guess it would never occur to you to just say, 'Please mister, I'm in trouble, will you help me?' No, that would bring you down off your high horse for a minute. Well, let me tell you something, maybe it will take a load off your mind. You don't have to worry about me. I'm not interested in your money or your problem. You, King Westley, your father. You're all a lot of hooey to me!
At the Western Union office, he telegrams his New York Mail boss, Joe Gordon, about a possible scoop - sending it collect:
Am I laughing? The biggest scoop of the year just dropped in my lap. I know where Ellen Andrews is...How would you like to have the story, you big tub of mush...Will try and get it. What I said about never writing another line for you still goes. Are you burning? PETER WARNE
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